The
poem titled "To an Empty Page," by Robert Pack, is an echo sonnet, in
which the speaker carries a conversation with himself (the voice) and the Echo
(his conscious). In order to completely extract meaning from this poem, I did
some research in regards to "Echo" and Greek mythology. Echo, a
beautiful young girl lived in the woods, denied of the loved of any man or god
due to the curse (or punishment) by Zeus's wife. The punishment was that she
could only echo, or repeat the last words of others, she could never answer
them. Similar to the Echo is the speaker, who talks to nothing but a
blank, empty page (a title reference) in order to extropolate on "nature's
call," what I see as the essential theme of the poem. Starting from verse
one, the word "empty" and it's forms are used repeatedly, including
the title, hence the importance of emptiness lies in his ability to talk to his
conscious without disruption from an outside force; in essence, he is talking
to nature (himself). Notice how after each line, the echo repeats the last word
of each sentence. Perhaps, this notion of the echo interfers with his
stubbornness to think otherwise (in reference to line two). He questions
whether he must master joy or grief, and answers grief as the echo's ability to
repeat is constraint to the last word or a rhyme of it. Keeping this in mind,
the pattern of a,b,a,b,cc,d,e,f,e,f,g,g, also known as a Shakesperian sonnet,
plays a significant role in defining the meaning of poem. When analyzing this
rhyme scheme, I noticed that every action is followed by some form of nature;
for example, start-art and grief-leaf. Seen here is push from nature, or
perhaps destiny that guides his actions. His start is based on nature's art,
perhaps the abnormalities of it too. This abornormality is seen in line when when he states "Leaf blooms,
burns red fefore delighted eyes." It is bizzare how a leaf blooms (we do
not know whether the blooming is pretty or wild), but we do know that after
this leaf transforms and grows, it is immediately burned, but before
"delgihted eyes." The connotation of eyes are awakening, life,
passion, finding, and discovering, which is paradoxical in line 5 because instead
of continuing to grow, it is burned, but they are delighted. This hints that
nature's beauty, comes from the grief of our perceptions, that contribute to
art. We can take this further and say that this art, fostered by nature's
destruction is vital to "consolation in the heart" (line 3). Because
nature's destruction is now framed as a usual for relief, It can be said that
is starting form grief, in order to reach this state of happiness or joy- grief
gives him joy, rather than the other way around.
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